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The Best Years of Our Lives

1946 · 171 min · Drama, Romance, War

Directed by William Wyler

IMDb 8.1🍅 97%Metacritic 93

Three wonderful loves in the best picture of the year!

It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.

Why it's worth watching

This masterpiece offers a deeply moving and realistic look at the struggles of returning World War II veterans as they adjust to civilian life. Through its rich characterizations, it captures the profound challenges of physical disability, trauma, and relational strain with immense empathy and dignity. It remains one of the most honest and emotionally resonant films about sacrifice and homecoming ever made.

What it praises

It praises unconditional love, marital commitment, resilience in the face of physical and emotional trauma, and the quiet dignity of honest labor and community support.

For discernment

One of cinema's most honest films about veterans coming home, and the disabled sailor played by real-life amputee Harold Russell gives the marriage-and-disability scenes a dignity Hollywood rarely matched. Weigh honestly, though, that one of its three love stories is adulterous in shape: Fred, married to a shallow and unfaithful wife, falls for the good single woman Peggy, and the film's sympathies steer toward divorce and a fresh start as the happy ending. All three men also drink themselves drunk celebrating their return, and drinking recurs. The good is real and worth your time, marital faithfulness in the Al-and-Millie marriage, resilience, and the honest dignity of labor, but the believer should notice the film quietly endorses ending one marriage to enable a better-matched romance.

  • Faith & familyA central romance has a married man falling in love with a single woman; the story steers sympathetically toward divorce and remarriage as its resolution.
  • SubstancesAll three leads get drunk celebrating their homecoming and drinking recurs; one struggles with heavy drinking.
  • SexualityPassionate kissing (including the married-man/single-woman pair) and a showgirl shown in a swimsuit with mild cleavage.

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Cast

Dana Andrews

Dana Andrews

Fred Derry

Fredric March

Fredric March

Al Stephenson

Harold Russell

Harold Russell

Homer Parrish

Teresa Wright

Teresa Wright

Peggy Stephenson

Myrna Loy

Myrna Loy

Milly Stephenson

Cathy O'Donnell

Cathy O'Donnell

Wilma Cameron

Virginia Mayo

Virginia Mayo

Marie Derry

Hoagy Carmichael

Hoagy Carmichael

Butch Engle